I’ve recently teamed up with visual artist and programmer Brad Hammond (XY01) for our project Ethno Tekh. We’ve been slamming it hard and since we’ve teamed up in early August we’ve already had our first public interactive installation ‘public override Trichild()‘, which was a great success, as well as our first performance to an audience of over 3000 people at Microsoft’s TechEd 2012.
We’re focusing on real-time, interactive and generative digital artworks; as well as larger-than-life and futuristic bass music A/V performances, all performed completely live using motion capture and audio-reactive visuals.
Video of the TechEd performance coming soon, but for now, there’s these couple of photo. But head to the Ethno Tekh Facebook page to keep updated on the project. We’ve got some interesting stuff coming up.
Here’s a video from our debut interactive installation ‘public override Trichild()’:
Although I’ve spent literally the entire last 14 months of my life on making and performing motion capture music, with around live 30 performances I only just realised there’s very little footage online.
I’m currently in the process of updating my whole live performance system, so I most likely won’t be performing for at least a few weeks, so here’s an except of a performance I did earlier on in the year with my Kinect/foot pedal setup.
In this video I briefly explain and demonstrate how I used the Kinect to control the massive Melbourne Town Hall Organ. It contains a short excerpt from our performance “Carpe Zythum” November 2011.
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion. The Melbourne Town Hall Organ got a referb in the late 90s adding the ability of MIDI messages to active the notes… this happened.
Since April 2011 I’ve been working solidly with the Microsoft Kinect, developing my software, Kinectar, to enable its use as a MIDI controller for performing music live. I’ve done a number of performances around Australia since I started the project, however, it’s safe to say that, although I would consider myself an electronic musician, I’m certainly no dancer. Enter, Paul…
Dancer, Paul Walker and I have joined forces to bring the Kinect controlled music concept into the world of contemporary dance. Recently we obtained a residency at PACT theatre (centre for emerging artists), where we spent the week developing different ways of implementing my Kinect music control system in a dance context.
Once again, I’ve been challenged to use my Kinect system to control a massively over-sized instrument. And they just keep getting bigger…
The Melbourne Town Hall Organ is the next on the agenda, in another opportunity through RMIT’s Fine Art Sound course. This beast has been retro-fitted to accept MIDI, just how I like it.
Come down and watch another world first of Kinect controllerism, where I use my soon to be released Kinect system (KiNECTAR) to play this organ using my hand gestures. The organ has kilometers of piping, looms 4-stories over the audience and has the power of over a thousand panthers.
The piece I’ll be performing has been co-written by myself and Elise Richards, who’s also gracing us with her angelic vocal talents. Featuring poetry and operatic wailing… the story is a Greek tragedy of my favorite topic…. BEER!!!
This performance will be recorded in full HD video and superb Ambisonic audio and will be on YouTube for those that miss out. Stay tuned.
This is a video someone’s posted on youtube of one of my performances at the EB Games Expo in the Gold Coast over the weekend. I had a ton of fun playing in front of the 15,000 or so fellow nerds over the weekend and checked out all the latest games! Skyrim looks amazing!