Here’s a short teaser of our live A/V performance system currently under development by us (Ethno Tekh). We’ll be releasing many more videos in the near future, including more performances with much high recording quality (apologies for this one), as well as interviews with both Brad and I outlining and discussing our project and approach.
For the moment, please enjoy the very first video featuring our new system!
I’ve recently teamed up with visual artist and programmer Brad Hammond (XY01) for our project Ethno Tekh. We’ve been slamming it hard and since we’ve teamed up in early August we’ve already had our first public interactive installation ‘public override Trichild()‘, which was a great success, as well as our first performance to an audience of over 3000 people at Microsoft’s TechEd 2012.
We’re focusing on real-time, interactive and generative digital artworks; as well as larger-than-life and futuristic bass music A/V performances, all performed completely live using motion capture and audio-reactive visuals.
Video of the TechEd performance coming soon, but for now, there’s these couple of photo. But head to the Ethno Tekh Facebook page to keep updated on the project. We’ve got some interesting stuff coming up.
Here’s a video from our debut interactive installation ‘public override Trichild()’:
“Carpe Zythum”, a performance with Elise Richards (Vocals) and Chris Vik (myself controlling the organ with the Kinect) along with a pre-composed piece written by both Elise and I. It was performed in November 2011 at the Melbourne Town Hall. This is the full video of the performance. If you’d like to see a video explaining how it works see last weeks video Controlling a 4-story organ with the Kinect
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion – I hooked this up to the organ.
In this video I briefly explain and demonstrate how I used the Kinect to control the massive Melbourne Town Hall Organ. It contains a short excerpt from our performance “Carpe Zythum” November 2011.
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion. The Melbourne Town Hall Organ got a referb in the late 90s adding the ability of MIDI messages to active the notes… this happened.
Since April 2011 I’ve been working solidly with the Microsoft Kinect, developing my software, Kinectar, to enable its use as a MIDI controller for performing music live. I’ve done a number of performances around Australia since I started the project, however, it’s safe to say that, although I would consider myself an electronic musician, I’m certainly no dancer. Enter, Paul…
Dancer, Paul Walker and I have joined forces to bring the Kinect controlled music concept into the world of contemporary dance. Recently we obtained a residency at PACT theatre (centre for emerging artists), where we spent the week developing different ways of implementing my Kinect music control system in a dance context.
I’m doing a short Kinect electronic music set at Transitions (BeatEngines) next Friday [24/02/12] @ Royal Melbourne Hotel. I’ll be following up the set with a short talk/demonstration of my software “Kinectar”, where you’ll see the nitty-gritty of how I go about putting instruments together using the Kinect as a MIDI controller.
It’s free from 9pm until 10pm (when the psy starts), I’ll slot somewhere in that time-frame, so be sure to get there by 9pm if you want to catch my demo! There’s heaps of other stuff going on that’s definentely worth checking out, check out the facebook page for more details: http://www.facebook.com/events/213576515398677/