I’ve recently teamed up with visual artist and programmer Brad Hammond (XY01) for our project Ethno Tekh. We’ve been slamming it hard and since we’ve teamed up in early August we’ve already had our first public interactive installation ‘public override Trichild()‘, which was a great success, as well as our first performance to an audience of over 3000 people at Microsoft’s TechEd 2012.
We’re focusing on real-time, interactive and generative digital artworks; as well as larger-than-life and futuristic bass music A/V performances, all performed completely live using motion capture and audio-reactive visuals.
Video of the TechEd performance coming soon, but for now, there’s these couple of photo. But head to the Ethno Tekh Facebook page to keep updated on the project. We’ve got some interesting stuff coming up.
Here’s a video from our debut interactive installation ‘public override Trichild()’:
Yo dude peeps. I’m venturing into the world of fashion and gonna be slammin some beats and bass during my live performance at an upcoming event this Saturday (28/04/12) – Mister Mode Fashion Market. This is a great event to come and check out my work if you’re not into the club thing and even better if you’re the kind of person to wear clothes. I’m on at 8pm!
“Carpe Zythum”, a performance with Elise Richards (Vocals) and Chris Vik (myself controlling the organ with the Kinect) along with a pre-composed piece written by both Elise and I. It was performed in November 2011 at the Melbourne Town Hall. This is the full video of the performance. If you’d like to see a video explaining how it works see last weeks video Controlling a 4-story organ with the Kinect
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion – I hooked this up to the organ.
Since April 2011 I’ve been working solidly with the Microsoft Kinect, developing my software, Kinectar, to enable its use as a MIDI controller for performing music live. I’ve done a number of performances around Australia since I started the project, however, it’s safe to say that, although I would consider myself an electronic musician, I’m certainly no dancer. Enter, Paul…
Dancer, Paul Walker and I have joined forces to bring the Kinect controlled music concept into the world of contemporary dance. Recently we obtained a residency at PACT theatre (centre for emerging artists), where we spent the week developing different ways of implementing my Kinect music control system in a dance context.
I’m doing a short Kinect electronic music set at Transitions (BeatEngines) next Friday [24/02/12] @ Royal Melbourne Hotel. I’ll be following up the set with a short talk/demonstration of my software “Kinectar”, where you’ll see the nitty-gritty of how I go about putting instruments together using the Kinect as a MIDI controller.
It’s free from 9pm until 10pm (when the psy starts), I’ll slot somewhere in that time-frame, so be sure to get there by 9pm if you want to catch my demo! There’s heaps of other stuff going on that’s definentely worth checking out, check out the facebook page for more details: http://www.facebook.com/events/213576515398677/
Another demo of some recent mappings I’ve come up with for the Kinect. So far it’s been the most complicated setup to learn, but it’s certainly been the funnest. It’s using 8 parameters from my hands; 6 positions, and 2 speed values. Any sample works in this, however this sample was great because of the bass in the guy’s voice, which helped me get some nice bassline-sounding modulations out of it.
Here’s a new video of my Kinect Dubstep Bassline patch with me explaining and breaking down all the functions of it, before another quick demo. Hopefully this clears everything up for anyone curious as to how it worked!
Just a quick demonstration of some dubstep wobble madness manipulated live using the Xbox Kinect.
I’m using a MASSIVE patch I made controlling pitch (which is locked to a 3 note scale for ease of use), filter cutoff, resonance, LFO depth, LFO speed, as well as reverb. There’s are mapped to the X Y and Z co-ordinates of my hands.