I’ve recently teamed up with visual artist and programmer Brad Hammond (XY01) for our project Ethno Tekh. We’ve been slamming it hard and since we’ve teamed up in early August we’ve already had our first public interactive installation ‘public override Trichild()‘, which was a great success, as well as our first performance to an audience of over 3000 people at Microsoft’s TechEd 2012.
We’re focusing on real-time, interactive and generative digital artworks; as well as larger-than-life and futuristic bass music A/V performances, all performed completely live using motion capture and audio-reactive visuals.
Video of the TechEd performance coming soon, but for now, there’s these couple of photo. But head to the Ethno Tekh Facebook page to keep updated on the project. We’ve got some interesting stuff coming up.
Here’s a video from our debut interactive installation ‘public override Trichild()’:
Although I’ve spent literally the entire last 14 months of my life on making and performing motion capture music, with around live 30 performances I only just realised there’s very little footage online.
I’m currently in the process of updating my whole live performance system, so I most likely won’t be performing for at least a few weeks, so here’s an except of a performance I did earlier on in the year with my Kinect/foot pedal setup.
I forgot to post this last month, but I was over in Seattle and forgot about it when I got home. A few weeks ago I was featured Australia-wide on printed newspapers and on their subsequent online services with both a written and video interview.
If you haven’t heard of the latest motion capture device that’s been making waves in the community, let me break it to you. The Leap is an amazingly small device (literally smaller than a computer mouse) that can capture your hand’s input.
It’s been quoted to be 200 times more powerful “accurate” than the Kinect (whatever the term “powerful” “accurate” means is referring to), and from the videos on their website, it looks to pick up a very solid 3d image of whatever you put in front of it. Not to mention that it’s RRP at only $70.
Because it’s so small and works in such a small area, it’s much different than the Kinect, which is primarily aimed at tracking your whole body’s movements, which limits it’s uses somewhat.
I’ve managed to wrangle a dev release for this little motion capture beast. I’m receiving it in the next few weeks, so expect to seem some finger-music-making experiments from me shortly!
It’s been a while since I’ve last posted as I’ve had a busy time with a lot of cool stuff coming up! As a massive highlight to my year, I’ve been given the honor of being invited to the US to demonstrate my Kinect system at the Seattle Science Festival. My performance is on this coming Saturday (9th) for the Hacker’s Luminary show.
I’ll be in Seattle for a week before heading home, so make sure you say hi if you’re in the area!
In this video I briefly explain and demonstrate how I used the Kinect to control the massive Melbourne Town Hall Organ. It contains a short excerpt from our performance “Carpe Zythum” November 2011.
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion. The Melbourne Town Hall Organ got a referb in the late 90s adding the ability of MIDI messages to active the notes… this happened.
I’m doing a short Kinect electronic music set at Transitions (BeatEngines) next Friday [24/02/12] @ Royal Melbourne Hotel. I’ll be following up the set with a short talk/demonstration of my software “Kinectar”, where you’ll see the nitty-gritty of how I go about putting instruments together using the Kinect as a MIDI controller.
It’s free from 9pm until 10pm (when the psy starts), I’ll slot somewhere in that time-frame, so be sure to get there by 9pm if you want to catch my demo! There’s heaps of other stuff going on that’s definentely worth checking out, check out the facebook page for more details: http://www.facebook.com/events/213576515398677/
We’re attempting to reverse the idea of dance being TO music, instead putting the power in the dancer’s hands (oh, that’s such a tag line right there), creating a feedback loop where the dancer is dancing to the music they’re creating by dancing (awesome!!)
The project aims to build up an array of content using my software, Kinectar, in the context of contemporary dance; continuing my goal of discovering new ways to use the human body as an organic music controller.
We have a showing at PACT theatre this Friday (17/02/12) @ 5.30pm. It will be a short, informal viewing, demonstrating the content we’ve been developing during the week and a session to ask us questions or give feedback about the development. So if you’re in Sydney, head down and say hi!