Here’s a short teaser of our live A/V performance system currently under development by us (Ethno Tekh). We’ll be releasing many more videos in the near future, including more performances with much high recording quality (apologies for this one), as well as interviews with both Brad and I outlining and discussing our project and approach.
For the moment, please enjoy the very first video featuring our new system!
I’ve recently teamed up with visual artist and programmer Brad Hammond (XY01) for our project Ethno Tekh. We’ve been slamming it hard and since we’ve teamed up in early August we’ve already had our first public interactive installation ‘public override Trichild()‘, which was a great success, as well as our first performance to an audience of over 3000 people at Microsoft’s TechEd 2012.
We’re focusing on real-time, interactive and generative digital artworks; as well as larger-than-life and futuristic bass music A/V performances, all performed completely live using motion capture and audio-reactive visuals.
Video of the TechEd performance coming soon, but for now, there’s these couple of photo. But head to the Ethno Tekh Facebook page to keep updated on the project. We’ve got some interesting stuff coming up.
Here’s a video from our debut interactive installation ‘public override Trichild()’:
It’s been a while since I’ve last posted as I’ve had a busy time with a lot of cool stuff coming up! As a massive highlight to my year, I’ve been given the honor of being invited to the US to demonstrate my Kinect system at the Seattle Science Festival. My performance is on this coming Saturday (9th) for the Hacker’s Luminary show.
I’ll be in Seattle for a week before heading home, so make sure you say hi if you’re in the area!
In this video I briefly explain and demonstrate how I used the Kinect to control the massive Melbourne Town Hall Organ. It contains a short excerpt from our performance “Carpe Zythum” November 2011.
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion. The Melbourne Town Hall Organ got a referb in the late 90s adding the ability of MIDI messages to active the notes… this happened.
Since April 2011 I’ve been working solidly with the Microsoft Kinect, developing my software, Kinectar, to enable its use as a MIDI controller for performing music live. I’ve done a number of performances around Australia since I started the project, however, it’s safe to say that, although I would consider myself an electronic musician, I’m certainly no dancer. Enter, Paul…
Dancer, Paul Walker and I have joined forces to bring the Kinect controlled music concept into the world of contemporary dance. Recently we obtained a residency at PACT theatre (centre for emerging artists), where we spent the week developing different ways of implementing my Kinect music control system in a dance context.
Another demo of some recent mappings I’ve come up with for the Kinect. So far it’s been the most complicated setup to learn, but it’s certainly been the funnest. It’s using 8 parameters from my hands; 6 positions, and 2 speed values. Any sample works in this, however this sample was great because of the bass in the guy’s voice, which helped me get some nice bassline-sounding modulations out of it.