Here’s a short teaser of our live A/V performance system currently under development by us (Ethno Tekh). We’ll be releasing many more videos in the near future, including more performances with much high recording quality (apologies for this one), as well as interviews with both Brad and I outlining and discussing our project and approach.
For the moment, please enjoy the very first video featuring our new system!
“Carpe Zythum”, a performance with Elise Richards (Vocals) and Chris Vik (myself controlling the organ with the Kinect) along with a pre-composed piece written by both Elise and I. It was performed in November 2011 at the Melbourne Town Hall. This is the full video of the performance. If you’d like to see a video explaining how it works see last weeks video Controlling a 4-story organ with the Kinect
I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion – I hooked this up to the organ.
Since April 2011 I’ve been working solidly with the Microsoft Kinect, developing my software, Kinectar, to enable its use as a MIDI controller for performing music live. I’ve done a number of performances around Australia since I started the project, however, it’s safe to say that, although I would consider myself an electronic musician, I’m certainly no dancer. Enter, Paul…
Dancer, Paul Walker and I have joined forces to bring the Kinect controlled music concept into the world of contemporary dance. Recently we obtained a residency at PACT theatre (centre for emerging artists), where we spent the week developing different ways of implementing my Kinect music control system in a dance context.
Once again, I’ve been challenged to use my Kinect system to control a massively over-sized instrument. And they just keep getting bigger…
The Melbourne Town Hall Organ is the next on the agenda, in another opportunity through RMIT’s Fine Art Sound course. This beast has been retro-fitted to accept MIDI, just how I like it.
Come down and watch another world first of Kinect controllerism, where I use my soon to be released Kinect system (KiNECTAR) to play this organ using my hand gestures. The organ has kilometers of piping, looms 4-stories over the audience and has the power of over a thousand panthers.
The piece I’ll be performing has been co-written by myself and Elise Richards, who’s also gracing us with her angelic vocal talents. Featuring poetry and operatic wailing… the story is a Greek tragedy of my favorite topic…. BEER!!!
This performance will be recorded in full HD video and superb Ambisonic audio and will be on YouTube for those that miss out. Stay tuned.
This is a video someone’s posted on youtube of one of my performances at the EB Games Expo in the Gold Coast over the weekend. I had a ton of fun playing in front of the 15,000 or so fellow nerds over the weekend and checked out all the latest games! Skyrim looks amazing!
I’m currently developing a tool using Max to convert the the hand co-ordinates from the Xbox Kinect (via OSCeleton) into meaningful MIDI data for use within a musical application.Next Wednesday (1/6/11) I’m flying up to Sydney to be a part of the REMIX11 conference, dedicated to all things tech and web. I’ll be doing a short performance on the Wednesday evening, and Thursday I’ll be on the floor demoing my setup in a booth.
If you haven’t seen my videos using a hacked Kinect to control musical functions via MIDI you can do so here. If by chance you’re reading this and heading down there, make sure to come and say hi. Otherwise, I’ll have more Kinect news/videos up soon.
Here’s a new video of my Kinect Dubstep Bassline patch with me explaining and breaking down all the functions of it, before another quick demo. Hopefully this clears everything up for anyone curious as to how it worked!
Just a quick demonstration of some dubstep wobble madness manipulated live using the Xbox Kinect.
I’m using a MASSIVE patch I made controlling pitch (which is locked to a 3 note scale for ease of use), filter cutoff, resonance, LFO depth, LFO speed, as well as reverb. There’s are mapped to the X Y and Z co-ordinates of my hands.